Public Theoretical Symposium – Program
19-20 January 2012
A
public theoretical symposium accompanying the exhibition of the same title,
curated by Dimitrina Sevova, and organized by Kunsthalle Exnergasse in
collaboration with the Postgraduate
Program in Curating, Zurich, www.curating.org. A special issue of
on-curating.org on the exhibition and symposium will be published in May
2012.
Museum Halls, WUK,
Währinger Straße 59, 1090 Wien
| Thursday, 19 January
2012 |
|
| From |
To |
|
Lecturer |
|
Title |
|
| 10:30 |
11:30 |
|
— |
|
Walk through
the exhibition at Kunsthalle Exnergasse, coffee and welcome by the curator,
Dimitrina Sevova |
|
| 11:30 |
12:10 |
|
Maren
Grimm |
|
"frontier"
– western movies, the migrations and reworkings of the genre |
|
| 12:10 |
12:50 |
|
Simone
Schardt & Wolf Schmelter |
|
Other
Spaces of Cinema |
|
| |
|
|
— |
|
Lunch
Break |
|
| 14:00 |
15:20 |
|
Rebecca
Ann Tess, Bogna Burska, Elodie Pong |
|
Artists'
Talks |
|
| 15:20 |
16:00 |
|
Małgorzata
Radkiewicz |
|
Cinema, Media
and Women's Arts in Poland – negotiations of the gaze |
|
| 16:00 |
16:20 |
|
— |
|
Coffee
Break |
|
| 16:20 |
17:00 |
|
Dorothee
Richter |
|
Feminist
demands to curating… On the distribution of the gaze |
|
| 17:00 |
17:40 |
|
Işın
Önol |
|
Cast
Shadows as Readymade Images Amid the Status of Representation and Reality |
|
| 17:40 |
18:00 |
|
— |
|
Coffee
Break |
|
| 18:00 |
19:00 |
|
Mareike
Bernien & Kerstin Schroedinger |
|
Modes
of Colour (performance / lecture) |
|
| 19:00 |
19:20 |
|
Chair:
Maren Grimm |
|
Plenary
Discussion |
|
| 19:20 |
20:00 |
|
— |
|
Buffet |
|
| 20:00 |
20:40 |
|
Brice
Dellsperger |
|
Lecture
with screening of Body Double 26,
book launch Body Double: Posture and High Heels |
|
| 20:40 |
21:20 |
|
Brice
Dellsperger |
|
Screening
of Body Double 22 (based on
Stanley Kubrick's Eyes Wide Shut;
40 min) |
|
|
|
|
|
|
|
|
| Friday, 20 January
2012 |
|
| From |
To |
|
Lecturer |
|
Title |
|
| 11:00 |
11:15 |
|
— |
|
Coffee |
|
| 11:15 |
11:55 |
|
Elke
Krasny |
|
dérive
and détournement. How to reappropriate? |
|
| 11:55 |
12:35 |
|
Eva
Egermann |
|
Touching
Crip History: Unlikely Encounters in the Fog |
|
| |
|
|
— |
|
Lunch Break |
|
| 13:35 |
14:55 |
|
Sabina
Baumann, Konstantinos Manolakis, Marc Bauer |
|
Artists'
Talks |
|
| 14:55 |
15:35 |
|
Lucie Kolb |
|
Art-Language, Music-Language, Cinema-Language
Kathryn Bigelow between Hollywood and Critical Art Theory |
|
| 15:35 |
16:15 |
|
Nicola Ruffo in
conversation with Esther Kempf |
|
Esther Kempf:
How to work with Illusions |
|
| 16:15 |
16:55 |
|
Işın
Önol in conversation with Bernd Oppl |
|
Orders
of Perception |
|
| 16:55 |
17:15 |
|
— |
|
Coffee
Break |
|
| 17:15 |
17:55 |
|
Boyan
Manchev |
|
The
Détournement of Form as Alteration of Matter |
|
| 17:55 |
18:35 |
|
The
Centre of Attention |
|
COPYWRONG
- techniques for mobilizing emancipatory politics! |
|
| 18:35 |
19:15 |
|
Dimitrina
Sevova |
|
From
performativity of the moving images to their precarization and migration in
the working system of cinema and contemporary art, and the economy of the
free digital market place |
|
| 19:15 |
19:55 |
|
Chair:
Elke Krasny |
|
Concluding
Plenary Discussion |
|
| 19:55 |
21:00 |
|
— |
|
Buffet |
|
| 21:00 |
22:15 |
|
Nicola
Ruffo |
|
Screening
program with introduction: Documentary Strategies in Art Films (60 min) |
|
|
|
|
|
|
|
|